
Liza Dieckwisch: silicone, fabric (printed)
Kathrin Graf: Watercolour paint, Creative Bubble yarn, gelatine, shaving foam, snow spray, silicone, lime paint
Joint installation: sweets (Kamelle), meringue, vinegar essence, gelatine, glycerine, lacquer foil, marshmallow creme, shaving foam, silicone, lime paint, sprinkles, icing
Photos: David Ertl








A riso print edition by Liza Dieckwisch and Kathrin Graf is being published to accompany the exhibition:
Kathrin Graf, welcome to my land of cream #1, riso print on Munken Rough 170 g, 28,6 x 19,2 cm, 2025, edition 100
Liza Dieckwisch, Salzburger Nockerln, Riso print, 29,7 x 21 cm, 2025, edition 100
35 € each or 60 € for two different motifs

A riso print edition by Liza Dieckwisch and Kathrin Graf is being published to accompany the exhibition:
Kathrin Graf, welcome to my land of cream #1, riso print on Munken Rough 170 g, 28,6 x 19,2 cm, 2025, edition 100
Liza Dieckwisch, Salzburger Nockerln, Riso print, 29,7 x 21 cm, 2025, edition 100
35 € each or 60 € for two different motifs

sweet velvet dreams and crisyp clouds
Liza Dieckwisch - Kathrin Graf
Matjö - Raum für Kunst, Cologne, 2026
Marshmallows, popcorn, coconut balls, fruit candies, funny little worms, shell-shaped candies, Maoam, Party Rolls, Fruiti’s, effervescent candies, lollipops, gummy bears, colorful gum balls, “Alaaf,” Kamelle, intoxication.
In the exhibition sweet velvet dreams and crispy clouds, Liza Dieckwisch and Kathrin Graf capture the euphoric spirit of the Cologne Carnival and transform the Matjö Room into a foaming, colorful sea of confetti made of candy, marshmallows, cream cakes on fabric, gelatin, foaming silicone waffles, velvet pretzels, shaving cream, clouds of marshmallow cream, and sugar sprinkles. Over the course of the exhibition, the materials will flow together, merge, and crystallize.
Trampled, crushed, and ground to pieces, the candies slowly dissolve in the rain. Foaming. The road sweepers spin their pirouettes. Bags full of sweets—you pick out the “best” ones, and in the end, you don’t know what to do with the rest. Either they’ll be devoured over the next few months or end up in the trash. sweet velvet dreams and crispy clouds celebrates the sensual, indulgence, and the joys of life, while also addressing topics such as nutrition habits, transformation, consumption, excess, and environmental pollution.
After 2 weeks

After 5 weeks

sweet velvet dreams and crisyp clouds
Liza Dieckwisch - Kathrin Graf
Matjö - Raum für Kunst, Cologne, 2026
Marshmallows, popcorn, coconut balls, fruit candies, funny little worms, shell-shaped candies, Maoam, Party Rolls, Fruiti’s, effervescent candies, lollipops, gummy bears, colorful gum balls, “Alaaf,” Kamelle, intoxication.
In the exhibition sweet velvet dreams and crispy clouds, Liza Dieckwisch and Kathrin Graf capture the euphoric spirit of the Cologne Carnival and transform the Matjö Room into a foaming, colorful sea of confetti made of candy, marshmallows, cream cakes on fabric, gelatin, foaming silicone waffles, velvet pretzels, shaving cream, clouds of marshmallow cream, and sugar sprinkles. Over the course of the exhibition, the materials will flow together, merge, and crystallize.
Trampled, crushed, and ground to pieces, the candies slowly dissolve in the rain. Foaming. The road sweepers spin their pirouettes. Bags full of sweets—you pick out the “best” ones, and in the end, you don’t know what to do with the rest. Either they’ll be devoured over the next few months or end up in the trash. sweet velvet dreams and crispy clouds celebrates the sensual, indulgence, and the joys of life, while also addressing topics such as nutrition habits, transformation, consumption, excess, and environmental pollution.


Liza Dieckwisch: silicone, fabric (printed)
Kathrin Graf: Watercolour paint, Creative Bubble yarn, gelatine, shaving foam, snow spray, silicone, lime paint
Joint installation: sweets (Kamelle), meringue, vinegar essence, gelatine, glycerine, lacquer foil, marshmallow creme, shaving foam, silicone, lime paint, sprinkles, icing
Photos: David Ertl
Materials that drip, flow, foam, but also tear, evaporate, dry and glitter: for the exhibition at periscope, Liza Dieckwisch and Kathrin Graf have created a fleeting sugar-foam house inspired by Austrian cuisine with its diverse sweet pastries and egg dishes, such as foam rolls, cardinal slices and Kaiserschmarrn and, in particular, the light and fluffy Salzburger Nockerln.
The site-specific, ephemeral installation made of shaving foam, icing, gelatine, glycerine, lime paint and lacquer foil will change constantly over the course of the exhibition, conveying the two artists' open, fragile and flexible understanding of painting and sculpture.
The materials are combined with works made of printed fabrics (Liza Dieckwisch) and objects made of gelatine (Kathrin Graf), which overlap, overgrow and merge without ever reaching a final state. The transformation of the materials will continue until the end of the exhibition: the foam will evaporate, the icing and other materials will dissolve and mix, puddles of lime paint and icing will dry up, crystallise and form cracked surfaces. The artists themselves will allow themselves to be surprised by the different reactions of the materials.
The installation is multi-layered, gustatory and playful. It invites visitors to enjoy a sensual experience and is intended as a counterpoint to today's increasingly digitalised, controlled and security-conscious society.
As an interdisciplinary extension of the exhibition, a 13:35-minute audio track from the book ‘Schaum - Ein Cybertrip durch den Garten Erde’ (Foam - A Cybertrip through the Garden Earth) by author Anna Julian Mendlik will be played:
"In the mythological cosmos, the idea has been handed down that a Titan cut off the sky's penis because the Earth wanted it that way. The penis fell into the sea and the mixture of seawater, blood and semen foamed up. From the foam arose the Greek goddess of love, Aphrodite, born of foam. It is said that through her actions, ten years of war were ignited."







A riso print edition by Liza Dieckwisch and Kathrin Graf is being published to accompany the exhibition:
Kathrin Graf, welcome to my land of cream #1, riso print on Munken Rough 170 g, 28,6 x 19,2 cm, 2025, edition 100
Liza Dieckwisch, Salzburger Nockerln, Riso print, 29,7 x 21 cm, 2025, edition 100
35 € each or 60 € for two different motifs
After 2 weeks

After 5 weeks

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